Selling vintage.

Dear Diary, fashion, Fashion News, street style

We all go through fashion phases. From the bougie cool kids to the retro nerds, goths and punks. Growing up my mother always shopped in charity shops. This first started as a necessity; she found herself with three young children and needing to find a way to make her money stretch- and later just a way to spend less and get more. Economical savyness if you will.

During my early twenties through studying art and design and then textiles i found myself volunteering at places like the red cross and the affordable vintage kilo sale, which for those who dont know is a vintage fair that travels through out the UK selling vintage fashion for £15 a kilo. The great thing about this is not only did we get compensated for our time but we also got a kilo of vintage goods for free. They had everything from vintage fox scarves to levi Jean’s and the oh so comfy 90s throw back sports jumpers; I lived for those.

First forward to today and i find myself rummaging through my mothers old clothes from over 20 years ago which have remained hoarded in many a wardrobe in our home. I’m in awe of her eclectic style and coming face to face with these unique one of a kind pieces. I’ve always toyed with the idea of starting a vintage store and although my main objective working at the vintage fair was to do just, that life got in the way and it simply never happend until now. With just wonderful pieces just stored in the cupboard I finally took the plunge and started posting to depop and I’m very excited to share this with you all. The clothes range from the 80’s to 90’s and are one of a kind pieces many made in england . Searching through these items made me realise how few of our clothes are made in england with cost to manufacture so much cheaper in places like Bangladesh and china it seems something special to know that these clothes were made here. As fast fashion was yet to burst in the scenes the quality of the clothes are bar to none rarely finding cheap buttons on blouses as you do today. As a fashion enthusiasts I find it very exciting to have the opportunity to sell sustainably sourced vintage fashion with a story so closely linked.

If you are interested in following my store my name is @undacover_gypsy on depop and my stores name is v.skye

You can also follow me on Instagram here @violetskyeldn.

Style Edits • 3 rare Depop vintage finds

fashion

I dont know about you but I love browsing through vintage designer websites, searching for pre loved collection pieces that I may possibly be able to afford. If like me, you are also interested in luxury fashion but don’t have the necessary budget that some believe is required, then thrifting is a great way to get involved in the wardrobe dreams. It’s a great way to find those one off fashion gems at not so fashion prices. Did I mention thrifting is a great way to be sustainable.

Here is a list of 5 highly desirable fashion archive pieces I would like in my wardrobe.

I love this Loewe dress for its structured sleeves and delicate print design. The dress is from the Spring/summer 2017 collection by Johnathon Anderson for Loewe £450 RRP……..

All fashion lovers know the iconic 90’s Vintage Issey Miyake Pleats collection. Ive found a few people selling this combination so you can have a piece of fashion history too.

Please dress and cardigan £150 each

These shoes are so unique, I love the pointed toes and which strap across the front but the thing I love the most is the fact that each heel is a different shape.

Black suede Les chaussures gros Bouton 120 pumps RRP £551 Depop price £250.

3 vintage bags I need right now

Depop, fashion, street style

I’m back again with another Depop wish list, by now You should know how much I love browsing through online stores like Depop, Vestiaire and shop bop. There like Matches and brown for people looking to catch a bargain vintage treat.

Here is a list of my favourite vintage bags

Vintage Prada Faux Fur clutch bag

This bag is cute and quirky in such a vivid colour is rare to come back and brings a sense of fun to any outfit

Vintage Prada Rucksack

I mean it’s pink, it’s Prada and it’s a back pack need I say more?

Vintage Fendi 1970s carry box

This item is one of those rare treasures that you come across once in a blue moon. It’s definitely a piece for the archive.

Response to ‘Is it real and does it matter? How Korean culture shaped my style by Vogue.com

fashion

One of my earliest run ins with designer clothing was in secondary school around the time we were all wearing those fake double c ‘chanel’ earrings. The noughties and Japanese streetwear designer Evisu were an up and coming brand. There jeans were immensely popular amongst us school girls however Coming from a low income family, I knew the likelihood of owning a pair where slim.

Some how my prayers were answered when mummy dearest came through with the sauce. Now At this time the concept of whether these jeans were authentic or not was another story but tbh I really didn’t care. (They were probably knock offs from Barking market) Peer pressure is real guys. I was just so happy to own a pair of these jeans that all my friends had. Now in the UK we off course wear a school uniform so whenever there was an opportunity to wear our ‘home clothes’ we all wanted to be ‘swagged out’ in the latest garms. (Not much has changed for some of us) So at our next school event, you already know, they made there grand appearance. Standing in the hall way with said group of friends all adorned in our evisu jeans. I had never felt ‘cooler’ I for one couldn’t have been happier.

The Evisu Jeans.

In hindsight I laugh about it, at the time however it was very serious to me, a hormonal teenager who didn’t want to feel left out or worse laughed at.

As human beings we feel an urge to belong and to fit in, this urge is filled by different things for different people. For me it was fashion.

The reason I am writing this is in a response to an article I read via vogue.com title reading ‘ is it real? -And does it matter? How Korea’s counterfeit culture shaped my style’ which was written by Monica Kim. Monica writes about her experience growing up in Seoul,Korea where fake designer goods were the norm. In fact, the fakes were so good that an untrained eye would struggle to tell the difference between the two. She speaks about being proud of the craftsmanship that was coming from Korea post war and being able to recreate such masterpieces, selling them at a fraction of the price. She speaks about her grandmother who had the wardrobe of dreams Chanel, Gucci and Fendi with just one catch, they were fakes. Only, she wasn’t embarrassed, she speaks on a sense of pride of her roots and her culture.

So Koreans became very good at copying. I say this, too, not with shame, but as a matter of fact. It remains a national point of pride—the skill with which a pair of Korean hands can perfectly replicate each pin-thin stitch.

-excerpt from vogue.com

Fast forward a few years and she was in America, Wisconsin to be precise where the only thing designer was a Ralph Lauren outlet. She craved the new (at the time) Multicolore Takashi Murakami collaboration with Louis Vuitton it was a little black leather Pochette with the candy-coloured Monogram which she begged her parents for. Low and behold she received a like for like made in Itaewon version. Only when she got her hallway moment she speaks the guilt and paranoia she experienced. Her biggest fear was her fake Louis Vuitton would be spotted. Things were different in America, authenticity played a bigger role. A role that her mother could not understand ; why buy a £1000 bag when you can get a copy for a fraction of the price.

As I was reading this article my own Distant Evisu memory flooded back sparking inspiration for a new post.

I am not new to fakes and have more than a few given to me from my own Mother, Particularly Louis Vuitton bags and purses from China. Just like Monica Kim’s family, we probably could afford the real deal (my mother is way too frugal for that ) but why when the copies are so close to the original. I understand that it isn’t about whether they look the same or not it’s more about the experience and off course the precious dustbag and box that comes with such expensive bags.

I remember being given hand me downs of a particular family friend, a Christian Dior monogrammed top that zipped up in the middle, a staple 90s throwback that I practically lived in during the summer. I kick myself for losing it because now there everywhere.

As I got older, I discovered stores like TKmax where you could sometimes, if you looked hard enough find designer items, Isabel Marant, I once found a Valentino dress. I also discovered the joys of the thrift shopping, As a teen I would hate following my mum from fear of being spotted. I realised how silly this was once’s I started discovering the treasures waiting to be found. My first designer vintage buy was in soho. A cashmere Armani Blazer, I was buzzing with excitement to own something that I probably wouldn’t have been able to afford. Vintage shopping is a great way to start a luxury designer collection on a beer budget. I wrote this article for the girls, like me, who aren’t on a payroll affording them the luxury of the high end garments they spend there time adorning. To read an experience somewhat similar to one I had experienced inspired me To share my own story.

These days there are so many options available to us because of the throw away society we live in. Vintage shopping is extremely popular and with sites like Depop and eBay it is very easy to find great pieces at reasonable prices. I am definitely a believer in quality over quantity and with high street stores providing us with more options than ever before it’s easy to see how many people may get carried away.

With the fashion industry being the third biggest pollutant in the world I think it is super important for us to look at how we spend our money and on developing a personal style that encourages staple pieces whether they are high end designers straight from the store or vintage designers. If you pay attention to the fashion industry you already know that all the looks are recycled so you can definitely stay on trend shopping this way.

Going back to Monica’s story for vogue.com she speaks about the other side of the coin. The guilt of now being able to splurge on a designer handbag, that lets face it, is extremely expensive for the average person who can not afford owning a home or a car. Although I can not personally afford to walk into Chanel and buy a bag I sometimes feel guilty for being such an avid fashion watcher when I know how many people can not afford to even put food on the table, Which is why vintage shopping is so great and Brands like Balenciaga donating proceeds to the World Food Programme. ( read about it here)

I think everyone deserves a-bit of luxury in there lives. I will be showing you how I shop in later posts so stay tuned if you need a little guidance and don’t forget to Comment below your faux designer story and don’t forget to like, share and follow for more.

Monica Kim’s story may not have resonated with you but for me it was a wonderful read. If you liked my write up you should definitely check it out here. She speaks about getting her job at vogue and being mortified at the idea of wearing anything Fake in the office which had be in stitches.

Singer sewing machine

Creative work

Everyone who has ever studied fashion design or textiles or who just has a keen interest in I t gets excited over the words you are about to read. Vintage singer sewing machine. Just out of sheer luck ( and a mother who regularly thrifts) we managed to stumble across one and whilst my mother was not to sure, I immediately let her know this purchase was a must. After a bit of non negotiable haggling we bought this little vintage beauty for a whopping £45. Yup, £45 and I could not be happier, this machine runs like a dream, it’s a lot quieter than any new model I’ve owned. I’m just so chuffed to have one….

communication through textiles -Adinkra Tribe, Ghana

Creative work

12799340_10156654480380512_2039120958533863455_n.jpgExploring communication through textiles. 

As a Self taught embroidery artist I wanted to explore the concept of communication through textiles, particularly embroidery. In a time where great stories where not written down often textiles can give us an insight into what life was like.  In this search I came across Adinkra Symbolism and felt connected with its ‘ language’ instantly.

Adinkra, in the Twi language, means ‘goodbye’ or ‘farewell’ a language which belongs to the same ethnic group of the Akan.  in respect of this it was tradition of the Akan especially the Asante to wear cloths adorned with Adinkra symbols on important occasions especially at funerals of family relations and friends. This was to signify their sorrow and to bid farewell to the deceased.

The Adinkra symbols are believed to have their origin from Gyaman, a former kingdom in what is known today as Côte D’Ivoire.  According to an Asante (Ghana) legend Adinkra was the name of a king of the Gyaman (Nana kofi Adinkra). He was defeated and captured in a battle by the Asantes for having copied the “Golden Stool”, which represents for them absolute power and tribal cohesion. He was finally killed and his territory annexed to the kingdom of Asante.The tradition had it that Nana Adinkra wore patterned cloth, which was interpreted as a way of expressing his sorrow on being taken to Kumasi the capital of Asante.

The Asante people around the 19th century then took to painting of traditional symbols of the Gyamans onto cloth. Today, the Adinkra cloth is not exclusively worn by the Asante people. It is worn by other ethnic groups in Ghana on a variety of social gatherings and festive occasions

Symbolism/Significance

The Adinkra symbols express various themes that relate to the history, beliefs and philosophy of the Asante. They mostly have rich proverbial meaning since proverbs play an important role in the Asante culture. The use of Proverbs is considered as a mark of wisdom. Other Adinkra symbols depict historical events, human behaviour and attitudes, animal behaviour, plant life forms and shapes of objects.

 

 

 

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Free by Owusu-Ankomah

Acrylic on Canvas

Ghana/Germany 2006

This painting was commissioned to mark the Bicentenary of the Abolition of the atlantic slave trade in 2007. According to the artist, the central figure’ may remind the viewer of two monumental sculptures, …the statue of Liberty in New York and that of Christ the Redeemer in Rio de Janeiro’. Owusu-Ankomah often references the ancient Akan cloth printing tradition known as adinkra. He uses a combination of traditional symbols and others of his own invention. The concentric circles on the figures chest represent the Adinkrahene, chief of all the adinkra symbols, which represents greatness, charisma and leadership-and which, the artist suggests, cries out: ‘I am open, talk to me! My heart is receptive, I am full of love!.

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Working progress

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The meaning of this symbol is characterized slightly differently in “The Adinkra Dictionary” and “The Values of Adinkra Symbols”; the former emphasizes more abstract qualities of feminine goodness, love and care, while the latter has a more literal interpretation, looking one’s best and good hygiene. In any case, the duafe was a prized possession of the Akan woman of Ghana, used to comb and plait her hair. This “wooden comb” was used by women to lock their hair (a quite similar version exists in Polynesian culture as well), and symbolizes femininity and beauty. This Adinkra symbol is also said to be symbolic of goodness, love, and care. It recognizes a special energy women possess

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God’s eye-Omnipresence of God

‘Onyakopon aniwa hu asumu asem biara’    

God’s eye seees al secrets

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AKOMA
“the heart”
symbol of patience and tolerance

According to Agbo, when a person is said to “have a heart in his stomach,” that person is very tolerant.

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BESE SAKA
“sack of cola nuts”
symbol of affluence, power, abundance, plenty, togetherness and unity

The cola nut played an important role in the economic life of Ghana. A widely-used cash crop, it is closely associated with affluence and abundance. This symbol also represents the role of agriculture and trade in bringing peoples together.